Stephen Marcussen is a pioneering mastering engineer whose career has spanned over two decades, witnessing and contributing to the evolution of sound media from vinyl and cassette to compact disc and DVD audio. His journey into mastering began in 1979, following five years of experience in recording studios. Marcussen’s first major success came with Stevie Wonder’s platinum-selling album Hotter Than July in 1980, marking the start of a series of collaborations with iconic artists such as Tom Petty, Stevie Nicks, The Pointer Sisters, REM, The Rolling Stones, and Barbra Streisand.
Marcussen was at the forefront of the transition to digital technology, working with early equipment like Apogee A-to-D and D-to-A converters, Sony 1610/1630 systems, Yamaha CD reference cutters, and the Neve Digital Transfer Console. His expertise in mastering helped shape the sound of numerous albums during this transformative period in the music industry.
In 1999, Marcussen embarked on a new venture, establishing his own state-of-the-art mastering facility, Marcussen Mastering. The facility opened in July 2000 with Studio A, designed around the first all-analog multi-channel mastering console. This cutting-edge studio has since mastered a diverse range of albums across genres, including works by Elton John, Alice In Chains, Rick Braun, Jagged Edge, and Jaguares.
Marcussen’s connection to Eurythmics is particularly notable. He served as the mastering engineer for their 1985 album Be Yourself Tonight, ensuring the album’s polished and dynamic sound. His contributions helped elevate tracks like “Would I Lie to You?” and “Sisters Are Doin’ It for Themselves,” showcasing his ability to enhance the artistic vision of Annie Lennox and Dave Stewart.
Stephen Marcussen’s career is a testament to his adaptability, technical expertise, and dedication to excellence. From his early work with Stevie Wonder to his contributions to Eurythmics and his ongoing collaborations with cutting-edge artists, Marcussen continues to play a vital role in shaping the sound of modern music.
