Patrick Seymour

Patrick-Seymour

Patrick Seymour became associated with Eurythmics in the early 1980s, and he became an integral part of their backing band during their world tours, starting with the Touch tour in 1984.

Seymour’s collaboration with Eurythmics extended beyond live performances. He co-wrote tracks for their albums Revenge (1986) and We Too Are One (1989), contributing to the band’s evolving sound.

His creative partnership with Dave Stewart also included work on the Lily Was Here and Rooftops soundtracks. Seymour’s ability to blend classical training with contemporary styles made him a vital contributor to Eurythmics’ success.

More Information

Patrick Seymour is a classically trained British keyboardist, composer, and songwriter whose career has spanned decades, leaving a significant mark on the music industry. Born in 1959, Seymour studied classical music at Oxford University, where he developed a strong foundation in musical theory and performance.

Seymour first gained recognition as a member of the British funk band UK Players, whose debut album No Way Out was released in 1982. His transition to session work brought him into contact with RCA artists, including the Eurythmics. He joined their backing band during the Touch world tour in 1984, becoming an integral part of their live performances. Seymour’s collaboration with Eurythmics extended to studio work, where he co-wrote tracks for albums such as Revenge (1986) and We Too Are One (1989). His creative partnership with Dave Stewart also included contributions to the Lily Was Here soundtrack.

Beyond his work with Eurythmics, Seymour has collaborated with a diverse range of artists, including The Pretenders, Mick Jagger, Bob Dylan, Culture Club, Daryl Hall, Belinda Carlisle, Bob Geldof, and Kiki Dee. He co-wrote the 1989 Shakespears Sister hit “You’re History” and composed “Sleep Like a Child,” recorded by Joss Stone for her album Mind Body & Soul. Seymour’s versatility is evident in his ability to adapt to various genres and styles.

In addition to his contributions to popular music, Seymour has composed scores for film and television, including Anne Rice’s Feast of All Saints, The Simian Line, Me and Isaac Newton, The Johnsons, and About a Boy. His work in this realm showcases his talent for creating evocative and memorable compositions.
Patrick Seymour’s career is a testament to his exceptional skill and adaptability as a musician.

Song Credits

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