Conny Plank

Conny-Plank

Conny Plank was instrumental in producing over 25 tracks for The Tourists and Eurythmics debut album In The Garden at his studios in Germany. Some of Plank’s last work, before his death in 1987 from laryngeal cancer in Cologne, was the recording of concerts on Eurythmics’ Revenge tour, and samples used on the NED Synclavier on their Savage album.

Dave Stewart credited Conny Plank as his early mentor in production, stating that Plank taught him a lot and helped him understand the technical aspects of music production. Plank demystified the studio for Stewart, encouraging him to “touch the board” and experiment with different sounds,

Annie said “He was such a powerful man in both stature and presence that his impression is still immense and lasting. I have a mental picture of him sitting at the control desk of the studio in Neunkirchen (but is wasn’t really Neunkirchen, it was our own special music planet)”

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Conny Plank, born Konrad Plank on May 3, 1940, in Hütschenhausen, Germany, was a visionary producer and sound engineer whose work revolutionized the music industry. Widely regarded as one of the most important German producers, Plank played a pivotal role in shaping the Krautrock movement of the 1970s. His innovative techniques and creative approach to sound engineering helped forge the groundbreaking sounds of bands like Kraftwerk, NEU!, Cluster, Ash Ra Tempel, and Guru Guru. Often referred to as “the Phil Spector of Krautrock,” Plank’s influence extended far beyond the genre.
During the mid-1970s, Plank built his legendary electronic studio in Cologne, which became a hub for generations of artists. His collaborations with Dieter Moebius resulted in four studio albums, and his work with Holger Czukay of Can further cemented his reputation as a pioneer of experimental music. Plank’s contributions to early Kraftwerk records were instrumental in configuring their innovative and revolutionary sound, laying the groundwork for electronic music as we know it today.
In the 1980s, Plank’s expertise was sought after by a new wave of electronic-influenced artists, including Devo, Ultravox, Joy Division, and Eurythmics. His connection to Eurythmics was particularly significant, as he co-produced their debut album In the Garden (1981). Recorded at his studio in Cologne, the album featured an eclectic mix of guest musicians and showcased Plank’s ability to blend experimental and pop elements seamlessly. Annie Lennox and Dave Stewart described Plank as a thought-provoking and inspiring figure who challenged them to push their creative boundaries. Lennox fondly recalled his unique presence, humor, and disdain for pretense, describing him as a “soul brother-agent provocateur.”
Plank’s work extended to pop and rock productions with artists such as The Scorpions, Clannad, and Killing Joke, further demonstrating his versatility. His legacy as a producer and innovator continues to resonate, influencing countless musicians and producers. Conny Plank passed away on December 5, 1987, leaving behind an immense and lasting impact on the world of music. His contributions remain a testament to his genius and his ability to transform the creative potential of technology into timeless art.

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