Manufactured by the fake Russian label Budkon (until the early nineties few records were imported into Russia / Soviet Union making quite a demand for these on the black market). All recordings are low quality as well as the black & white photo-copied wraparound’s and each disc was produced in small quantities usually in an assortment of three different colours. Recorded in mono with a playing speed of 45 rpm.

Polish postcard singles were a unique format produced in Eastern Europe during the Cold War era, often featuring Western pop acts. The Tourists, Dave’s pre-Eurythmics band with Annie, appeared on several of these unofficial releases. Typically printed on thin cardboard with a glossy image on one side and a playable vinyl-like surface on the other, these singles were sold cheaply and widely circulated despite being unauthorised. Tracks like Blind Among the Flowers and So Good to Be Back Home Again were among those issued in this format. For collectors, these postcard singles are prized for their rarity, unusual format, and the insight they offer into how Western music was consumed behind the Iron Curtain.

Released : 1979-05-07

Released in 1979, “Blind Among the Flowers” was the debut single by The Tourists, the band that first brought Annie Lennox and Dave Stewart to public attention. Written by Peet Coombes and produced by Conny Plank, the track was recorded at Conny’s Studio in Cologne, West Germany. It reached No. 52 on the UK Singles Chart and was included on the band’s self-titled debut album. The song’s jangly guitars and post-punk energy reflect the late-1970s British new wave scene. Though not a major hit, it marked the beginning of Dave and Annie’s recording careers and laid the groundwork for their future success with Eurythmics.

Released : 1979-07-16

“The Loneliest Man in the World” by The Tourists is a melancholic portrait of isolation wrapped in new wave textures. Released in 1979, the song paints a vivid picture of a man disconnected from time, light, and companionship. With lyrics like “There are no flowers in his house / There are no paintings hung on the wall,” it evokes a stark emotional landscape—one of silence and solitude. Annie Lennox’s haunting delivery adds depth to Peet Coombes’ introspective writing, while the arrangement underscores the emptiness at its core. It’s a quietly devastating track that lingers long after the final note fades.

Released : 1979-10-15

“I Only Want to Be with You” by The Tourists is a vibrant reimagining of the 1963 Dusty Springfield classic. Released in 1979, their version injects a new wave energy into the timeless melody, pairing jangly guitars with Annie Lennox’s crystalline vocals. The arrangement is punchy yet affectionate, capturing the song’s romantic urgency with a modern twist. It became the band’s biggest hit, reaching the UK Top 5 and introducing a wider audience to their distinctive sound. With its blend of nostalgia and fresh attitude, the track stands as a joyful celebration of love’s irresistible pull.

Released : 1980-02-04

“So Good to Be Back Home Again” by The Tourists is a cheerful ode to familiarity and joy. With its jangly guitar riffs and buoyant harmonies, the track captures the simple pleasure of returning to a place—whether physical or emotional—that feels safe and welcoming. Annie Lennox’s vocals sparkle with warmth, while the upbeat tempo channels a spirit of celebration. It’s the musical equivalent of walking through your front door after time away, embraced by old friends and fond memories. Unpretentious and infectiously positive, the song wraps its arms around you and reminds you of the magic in coming home.

Released : 1980-09-01

“Don’t Say I Told You So” by The Tourists is a punchy, emotionally charged track from their 1980 album Luminous Basement. With Peet Coombes’ sharp songwriting and Annie Lennox’s expressive vocals, the song explores the tension of a fractured relationship—where hindsight and frustration collide. Its driving rhythm and pop-rock edge underscore lyrics that speak of escape and self-realisation, wrapped in a chorus that warns against smugness: “Don’t say I told you so.” The track balances bitterness with clarity, capturing the moment someone chooses freedom over familiarity. It’s a bold, melodic declaration of independence with a sting in its tail.

Released : 1980-11-10

Released in 1980, “From the Middle Room” was a non-album single by The Tourists, written by Dave and Annie. It was issued as a translucent yellow vinyl 7″ promo (FREE5001), originally bundled with early copies of Luminous Basement. The B-side, “Into the Future,” was penned by Peet Coombes. This promo was never commercially sold and is now one of the most sought-after Tourists items. Its rarity, unique colour pressing, and connection to the final days of the band make it a prized piece for collectors tracing the roots of Eurythmics. Copies in excellent condition with intact centres are especially valuable.